Sitemap - 2022 - Thoughts Mostly About Film
Living in the Age of the Reboot: "Maverick"
How We Got To Where We Are: 'Mr. Smith Goes to Washington'
The Thoughts Mostly About Film Interview Series: Sophia Cacciola
Interview With Sophia Cacciola, Cinematographer, 9/30/22
The Beauty of Comedy: 'Monsieur Hulot's Holiday'
If the Past Could Talk, We Couldn't Understand It: 'Unforgiven'
Ape, Human, Nightmare: 'Hellraiser'
Directing and Cinematography and Editing, Oh My!
So You Say You Want Police Reform: 'Prince of the City'
It's Not Just A Movie, It's An Action Plan: 'Big Trouble In Little China'
What Do We Mean When We Talk About Greatness?: 'The Stunt Man'
How Blake Edwards Made Things Funny (With Clips!)
So You Say You're a Goth: "The Hound of the Baskervilles"
On Michael Wadleigh's "Wolfen"
Pointing at Magnificence (With Clips!): "A Room with a View"
On The Good Guy With a Gun, Conservatism, and American Cinema: "Death Wish"
Why I'm Suspicious of the Batman Story
Whistling At the Graveyard: "I Love You to Death"
Look Out! Foreign Film Incoming!: "Z"
What Cinema Is, Part IV: "Short Cuts"
"Thoughts Mostly On Film" is on Set
On Subversion, Part I: "The Bride of Frankenstein"
The Kids Are Alright: "The Breakfast Club"
We're All Mad as Hell and We're Not Going to Take It Anymore: Finding Hope in "Network"
Love v. Empowerment: "The Apartment"
On Silhouettes, Torture by Drum Solo, and What Movies Tell Us About Culture: "The Big Combo"
What is Pure Cinema? "The Road Warrior"
Dancing a Two Step: "Midnight Run"
Can You Make Them Like You Used To?: "Modern Times"
Desperate Reassurance in the '80s
Musical Interlude: On Bob Dylan's "Desolation Row"
Men and Guns, Part Two: "Dirty Harry"
Film as Belief: "The Spy Who Came In From The Cold"
A Movie I Don't Understand: "My Man Godfrey"